Skip to main content

TALK OF CAMPAIGNS THE KENYAN STYLE


If someone asked me whether there were any campaigns going on in Kenya, I would have looked at them pitifully and said NO! Personally, I have not seen any election campaigns going on. What I predominantly see is a baby game going on. Something close to kalongo or mchongoano.

Politicians have of course been traversing the country in search of votes. We are experiencing a renewed sense of awareness as fuel guzzlers slowly snake their way into the dungeons of the country in what could be seen as getting in touch with the masses. This indeed is one awesome experience. The common mwanainchi is now getting to know who their leaders really are. There is that form of acquaintance between the leaders and the lead. We are now seeing the magnet that binds us Kenyans onto the politicians we really adore. There is of course that sense of awareness as the citizenry slowly try to associate the images on TV or the voices on radio with the façade they see in rallies every weekend.

If what I have been seeing in Kenya is the true definition of a political campaign then I am wrong on my perspective of what I am trying to shovel into your learned minds. Campaigns as far as I am concerned are the well organized and synchronized self advertisement that are carried by either politicians or priority groups to create awareness or publicize a certain issue or ideology. Therefore I am lost in a desert of thought when the contrary happens with our politicians spreading nothing but nothing in the guise of campaigns.

One thing that hits your mind when a politician begins to speak is that lack of vision in that politician. The other thing is the lack of commitment in whatever ideology he or she is trying to talk you into. Thirdly is that lack of passion in whatever a politician is claiming to do or achieve when given the votes. One hence wonders why these guys are on the streets shouting their hearts out with nothing in to pass across.

I have come to learn the hardest way that our politicians lack that sense of belief, foresight, and knowledge. They are not seductive in talk and have no well aligned thoughts; they are purely public noise makers with no perception and are blind to the true spirit of nation building. I think there is some kind of a manual or recital that these guys have to memorise before going on campaigns. They have been trained as Miguna Miguna puts it in his book, ‘Peeling Back the Mask’; to put everything in the mind so as any question asked is answered. Miguna claims that he had to practically cram the History and Geography books so as to pass: A true reflection of the character Chatur Ramlingam in the movie 3 IDIOTS.

After our politicians have crammed this manual aka recitals they are good to go. The recital has  the following lines:
a)      Bring development to the grassroots
b)      Makes sure there is sound education system, the current one is rotten
c)      Build roads to make the country accessible
d)      Fight poverty
e)      Work towards achieving the Millennium Development Goals
f)       Work towards achieving the Vision 2030
g)      So and so is bad because he talks in riddles or has that case at the Hague or claims to have a clean track record and can wipe everyone
h)      So and so is corrupt blah blah blah!

In all these recitals there are no clear cut outs that explains how the developments will hitherto come to fruition. And we believe them.

Somebody asked: Who needs roads anyway? Kenyans are a walking nation. Secondly, building roads that cycle around Nairobi does not make Kenya accessible. Maybe if Nairobi means Kenya! We have been made to have that myopic look at things that even when given a wider scope we become confused. That brings me to the question of the building of the ultimate Kenyan technological city; Konza city.  Why then had it to be on the shoulder of Nairobi city?  

Millennium Development Goals (MDGs) are not a mirage, if we had proper policies and focused minds they could be achieved yesterday! The same applies to the achievements of the vision 2030. The rest requires the goodwill of Kenyan and a committed citizenry.

As we incline ourselves into claiming that we have leaders, we should rethink our ways. It clearly inundates that Kenya lacks a leader. We are following the wind that has no direction. Ngugi wa Thiong’o in his book, The River Between, using the character Kabonyi say that “Kabonyi did not know where to lead the people to” Kabonyi new he was to be the leader  due to his selfishness but he never new how to lead. The same applies to our politicians, they know that they are to be leaders but they do not know how to be.
What we see gracing our TV stations as political campaigns are nothing more than the whispers Lord Laro sung in his song; “Woman Rule.” Those are just a mere fallacy, ridicule and a true smear to what campaigns are for; awareness.

Comments

Post a Comment

Popular posts from this blog

POSITIVE ASPECTS OF NASILIAN CULTURE IN BLOSSOMS OF THE SAVANNAH

SOME ASPECTS OF CULTURE ARE BENEFICIAL AND OUGHT TO BE MAINTAINED. USING EXAMPLES FROM THE NOVEL, BLOSSOMS OF THE SAVANNAH, WRITE A COMPOSITION TO ILLUSTRATE THE TRUTH OF THE STATEMENT Culture defines our identity and social relationships within a certain setup. Sometimes, some cultural aspects come off as bad while others can be looked at as good. However, culture only becomes bad when compared to another that seems superior. Many African communities found themselves at crossroads when the ‘superior’ European culture was thrown down their gullets. Nevertheless, many African cultures have grown into what they are today while some have retained what can be perceived as negative cultural practices. In the book Blossoms of the Savannah, H.R Kulet presents a boiling pot of cultural confusion within the Maa community specifically the people of Nasila. As we can see, some of the Nasilian cultural practices can be beneficial to the wellbeing of society and, therefore, should be maintaine

NEGATIVE CULTURAL PRACTICES AMONG THE PEOPLE OF NASILA IN BLOSSOMS OF THE SAVANNAH

The book Blossoms of the Savannah explores both the positive and negative cultural practices. H. R Kulet describes intimately those cultural practices he believes are best and on the other hand, lets us in on some of the cultural practices he believe were injurious. Interestingly, the negative cultural practices are aimed at women. The most poignant cultural practice that negatively affects women is Female genital mutilation. Although according to Parmuat, the practice was started by women to resist the evil Ilarinkoi, it continued to cause wanton pain and torture on women. Taiyo and Resian are determined to fight it. Resian manages to evade the brutal practice however Taiyo barely makes it having been forcibly cut. FGM is a global menace affecting millions of women in Africa and Asia. Although its benefits are only anthropological, its effects are very damning and could lead to death.  Second among the negative Nasilian culture is early marriage. Resian still has goals to fu

THE THEME OF INHERITANCE IN THE PLAY INHERITANCE BY DAVID MULWA

Inheritance refers to what is left by the deceased to the family in material wealth or sometimes power. However, the word could have diverse meanings when applied to works of literature. In this respect, David Mulwa looks at inheritance in various ways. The play revolves around a three decades old Kutula under its new leadership. Having achieved independence from colonial masters, Kutula is now governed by Lacuna Kasoo-the son of pre-independence King Kutula XV. Lacuna ascended to power after the death of his father. Although the King has adopted Princess Sangoi as his successor, he dies mysteriously thus handing the power to the greedy, self-centred Lacuna. As it were, Lacuna conspired with the colonial masters to assassinate his father King Kutula XV. Having assumed power with the help of colonial masters, Lacuna runs the government under the influence of Kutula’s former imperialists. He receives hefty loans aimed at ‘developing’ the country. However, the loans are meant to make Kutu