Skip to main content

CREATIVES AND CULTURE

     The 30th September was not only a day when counterfeits were to fall but also a day where, creatives met at The Godown Art Center to discuss on the issue of What Next?? as pertains the Kenyan culture and their creativity vs ICT. The panel inundated energy with the likes of; Prof. Suki Kaloo, Kenya Polytechnic and school of Creativity in Kenya, Julius Nyerere Odero, The Karen Art Vllage; David Mureithi, Creative entrepreneur; Alex Gakuru, Creative Commons and Dr. Mshai Mwangola, Kenya Cultural Centre. The event was hosted by Mumbi.
    In terms of policy the panelists agreed that the country was better of, what is needed is the recognition that culture is important by people in position  influencing policies, cultural workers  being  able to influence the people, creating and environment for growth and understanding that culture is dynamic and an identity.
    On the the issue of culture and ICT, there was Kind of disconnect between the creatives, like Techies and other creatives in trying to inline the Cultural-ICT marriage. Gakuru said that It is time we stopped being too much of specialists and be at least generalists. In so doing we shall try to bridge the gap that has forever existed between the technology and our culture.
     In looking at culture, there arose a serious debate on what culture really is. Many have perceived culture as that maasai influence or rather the traditional societal cultural practices we so heard or maybe practised or still practice. Culture is what it is now and not was then.  There of course has been that paradigm shift from what we knew then to what we embrace now or maybe should be. When we let more of yersteday cloud our today we more or less kill the yesterday or the today and hence create a divide.Therefore each individual should have or look for that definitions of culture that suit them and stand by it and of course defend it. Culture is embedded in our constitution and so could be that vital ingredient in the development of this nation. It Could or rather can contribute to up to 10% of the countries revenue that is if we really worked hard at its recognition. the panelists observed.
    In terms of science and culture and creativity it was observed that the three are intertwined and we can not develop one while leaving the other in the cold. We got to work at the trilogy and build at it for us to achieve harmonious and steady societal growth. The meeting stressed on more unity to achieve than the rather considered disconnect among members of different fields in the creative industry.
    Dr Mwangola Emphasized on the incorporation of  the expressives, facilitators and the changers in trying to sell the Kenyan culture and creating its identity in the global map.  

Comments

Popular posts from this blog

HOW FEMINISM IS ADDRESSED IN THE RIVER AND THE SOURCE

The story revolves around Akoko. The buck stops with women in the fight against oppressive testosterone. It is upon women to tap into their innermost strength to transform the world it what they imagined. Akoko, being on the losing end in a male-dominated family fought her way to earn her father’s love. She had to put her feet on the ground to make the world recognize her. Aloo, the family spokesman said that Akoko’s hard work had been incorporated into a saying that women sending their children on errands would mention her. She did not show any female shyness when she was introduced to her husband to be. With her head held high, Akoko stirred into Owuor Kembo a feeling that had not earned vocabulary among the Luo - love. Akoko did not subject the chief to monogamy. She was okay with him marrying as many women as her wealth could manage. It was the chief’s decision, despite growing outcry, to remain faithful to his wife. We are not told of any arm-twisting but sure as the sun ris...

EXPLORING FEMINISM IN BLOSSOMS OF THE SAVANNAH AND A DOLL'S HOUSE

Feminism emerged as a movement to fight for the social, political and economic rights of the women. It is more of a political movement that recognises the individuality and sexuality of women and how historically and religion wise have been segregated. Before the advent of feminism, women lived under the tutelage of their male counterparts. For instance, a woman did not have any right to choose whom to marry, it was the prerogative of the male family member to choose. In the TV Serial, Rome, Julius 'Octavian' Caesar, who later became Augustus Caesar, makes a decision that affects both his mother and sister in a way unimaginable. The mother, Artia of the Julii is in love with Marcus Antonius (Mark Antony) and she plans to marry him. However, Caesar decides it will be impossible for the two lovebirds to make it official. For political reasons, he settles for his sister Octavia as a suitable wife for Mark Anthony! There are many examples of male subjugation in numerous cultu...

THEME OF MARRIAGE IN A DOLL'S HOUSE

Henrik Ibsen explores marriage as a tool for women subjugation and at the same time as a weapon of financial emancipation. He also looks at marriage as a level-headed arrangement between two like-minded individuals. Marriage is one of the most celebrated unions in the world. Similarly, it enjoys such high moral ground in religious and many cultural circles. In A Doll’s House, Henrik Ibsen explores this vital part of the society in the life and times of Nora, her husband Torvald Helmer and other characters. From the onset, marriage seems a happy association since Nora is jubilant and bubbly as a wife. Although money could be one of the factors that threaten this marriage, Nora is capable of handling it. Torvald is very particular about the family’s expenditure and warns Nora to be careful. Being naïve and playing innocence helps Norah to get away with her husband’s restraint. In their association, Helmer holds the high moral ground, chief financier and key decision-maker. He ...