Skip to main content

OLE KAELO'S ACTS OF COWARDICE IN BLOSSOMS OF THE SAVANNAH


The book Blossoms of the Savannah presents Ole Kaelo as behaving in a cowardly manner. This essay observes Kaelo’s acts of cowardice and how they shape the trajectory of the story.

Kaelo is one of the main characters in the book. He is the father of Taiyo and Resian. Kaelo’s decisions make the story’s conflict skyrocket into a struggle for the rights of the girl child.

Generally, we pick up Kaelo from the moment he retired. However, it should be noted that Kaelo’s confidence begun the moment he moved to Nakuru. With a lucrative job and a lean family, Kaelo displayed a confidence never seen before. In the comfort of Nakuru, he defended his decision to remain monogamous and delineate himself from the barbaric female circumcision for his two daughters.

The security of employment in the sprawling Nakuru city offered Kaelo enough confidence to denounce culture and call Nasila elders as ‘megalomaniacs who were stuck in the past. In Nakuru, Kaelo found a safe haven in which to abhor and condemn Nasila’s culture. Since he was isolated from the decadent culture he felt far civilized to engage into its abuse of the womenfolk. In this regard, Kaelo can be observed as having run away from Nasila since he did not have the guts to attack the Nasila culture from within. He knew the culture was abusive and was aware of its atrocities but he could not bring himself to be an advocate of change like Parmuat or Minik ene Nkoitoi.

The Swahili have a saying, ‘Mwacha mila ni mtumwa,’ ehich means when one forsakes their culture, they become slaves. Kaelo’s act of slavery ends when he is terminated at his place of employment. The security he had felt in Nakuru crumbles around him. He has no option but to return to Nasila. This means that he must reenter the very culture he had abandoned. Could he rebel against it from within Nasila?

Like the proverbial prodigal son Kaelo realizes that he needed his people in order to maintain his sense of identity and progress. Coming back as a businessman meant that a majority of his customers would be the community members. Therefore, going by what the elder Ole Musanka said in the homecoming ceremony, Kaelo was like a piece of hair that wind had blown away from the head but fate had brought it back. Like that strand, Kaelo had the role of twinning himself on other hairs so that he does not fall off again.

In the effort to twine himself back into the community, Kaelo becomes the very thing he sought to destroy. Desperate for money and acceptance, he asks his wife to prepare the girls’ for circumcision. This was supposed to be a gradual process but it is sped up by the entrance of Oloisudori Lonkiya. Kaelo’s benefactor. Oloisudori demands his pound of flesh and offers to marry Resian.

Although Kaelo had sworn to protect his children, he finds it hard to choose between defending them from culture and Oloisudori. Accrodng to the Nasila culture, Kaelo’s daughters should have been married of a long time ago. They were at the prime of their teenage years and yet still living with their parents. On the other hand, Oloisudori held the key to Kaelo’s financial success. When one observes the unfolding events in the lens of tradition, Kaelo had no right to oppose Oloisudori his greed notwithstanding. Therefore, he fell prey to both tradition and Oloisudori.

Kaelo’s decision to let go of Resian spins the conflict of the story- the struggle for feminism in an overly patriarchal society governed by tradition, curses, fear and sweeping loyalty. Like a seasoned chef, Kaelo also throws Taiyo into the mix.

Was Kaelo blinded by greed and tradition? It is hard to tell but what is apparent is that losing the job in Nakuru threw kaelo into a turbulence that created the present conflict. He had brought his children up in Nakuru where, in a mixture of cultures and modernity, they had learnt their own independence to choose a suitor and also resist harmful cultures. The girls, especially Resian, were ready to defend this new found freedom. It is this struggle that now pits Kaelo against his own daughters and spins the story in the novel Blossoms of the Savannah.

Comments

Popular posts from this blog

POSITIVE ASPECTS OF NASILIAN CULTURE IN BLOSSOMS OF THE SAVANNAH

SOME ASPECTS OF CULTURE ARE BENEFICIAL AND OUGHT TO BE MAINTAINED. USING EXAMPLES FROM THE NOVEL, BLOSSOMS OF THE SAVANNAH, WRITE A COMPOSITION TO ILLUSTRATE THE TRUTH OF THE STATEMENT Culture defines our identity and social relationships within a certain setup. Sometimes, some cultural aspects come off as bad while others can be looked at as good. However, culture only becomes bad when compared to another that seems superior. Many African communities found themselves at crossroads when the ‘superior’ European culture was thrown down their gullets. Nevertheless, many African cultures have grown into what they are today while some have retained what can be perceived as negative cultural practices. In the book Blossoms of the Savannah, H.R Kulet presents a boiling pot of cultural confusion within the Maa community specifically the people of Nasila. As we can see, some of the Nasilian cultural practices can be beneficial to the wellbeing of society and, therefore, should be maintaine

NEGATIVE CULTURAL PRACTICES AMONG THE PEOPLE OF NASILA IN BLOSSOMS OF THE SAVANNAH

The book Blossoms of the Savannah explores both the positive and negative cultural practices. H. R Kulet describes intimately those cultural practices he believes are best and on the other hand, lets us in on some of the cultural practices he believe were injurious. Interestingly, the negative cultural practices are aimed at women. The most poignant cultural practice that negatively affects women is Female genital mutilation. Although according to Parmuat, the practice was started by women to resist the evil Ilarinkoi, it continued to cause wanton pain and torture on women. Taiyo and Resian are determined to fight it. Resian manages to evade the brutal practice however Taiyo barely makes it having been forcibly cut. FGM is a global menace affecting millions of women in Africa and Asia. Although its benefits are only anthropological, its effects are very damning and could lead to death.  Second among the negative Nasilian culture is early marriage. Resian still has goals to fu

THE THEME OF INHERITANCE IN THE PLAY INHERITANCE BY DAVID MULWA

Inheritance refers to what is left by the deceased to the family in material wealth or sometimes power. However, the word could have diverse meanings when applied to works of literature. In this respect, David Mulwa looks at inheritance in various ways. The play revolves around a three decades old Kutula under its new leadership. Having achieved independence from colonial masters, Kutula is now governed by Lacuna Kasoo-the son of pre-independence King Kutula XV. Lacuna ascended to power after the death of his father. Although the King has adopted Princess Sangoi as his successor, he dies mysteriously thus handing the power to the greedy, self-centred Lacuna. As it were, Lacuna conspired with the colonial masters to assassinate his father King Kutula XV. Having assumed power with the help of colonial masters, Lacuna runs the government under the influence of Kutula’s former imperialists. He receives hefty loans aimed at ‘developing’ the country. However, the loans are meant to make Kutu