Skip to main content

WE ARE ALL PRISONERS ACCORDING TO FRANCIS IMBUGA

“The outside of this cell may be inside of another.” With illustrations from the play Betrayal in the City, write an essay to discuss what Jere means by this statement.
It is hard to tell whether one is free or in detention in countries where disregarding for human rights is prevalent. This is well illustrated in the play Betrayal in the City by Francis Imbuga.
Prisons limit one’s freedoms like the freedom of movement and assembly. However, in Kafira, such freedoms are not extended to the common citizen. When Nina and Doga decide to perform the final burial rites for their son Adika, they are denied by government officials (Mulili and Jere.) Jere says that the ceremony had been canceled in the interest of peace.
The presence of Askari’s in Kafira also creates an imagery of one being watched all the time. The people do not feel safe that is why Regina warns her boyfriend to be careful with what he says or does. Tumbo agrees with what Jusper says but observes that nothing can be done to salvage the situation.
People live in constant fear waiting for the inevitable. Nicodemo and Tumbo find themselves into a rather sticky situation when Kabito is killed. Mulili like a prison warder or a prison brute is ready to tell on them to Boss. Regina too shows unrivaled fear for authority, and like an innocent prisoner filled with guilt, she seeks to beg for her brother’s innocence. It should be noted that it was Regina’s coerced evidence that put Mosese behind bars.
Although Boss’ wife can be looked at as a privileged person, this does not turn out to be the case. When she complains about Boss’ harassment of Regina, she is detained by Boss in the palace.

The fear palpable in Kafira can be explained in Tumbo’s words; “Like caged animals, we move but only inside the cage.” (pg62) It is the fear of losing a life like Adika, Nina, Doga and Kabito and the detention of Mosese, Jere and Mercedes that makes the society of Kafira become a prisoner outside the four walls of the dungeon.  

Comments

Popular posts from this blog

POSITIVE ASPECTS OF NASILIAN CULTURE IN BLOSSOMS OF THE SAVANNAH

SOME ASPECTS OF CULTURE ARE BENEFICIAL AND OUGHT TO BE MAINTAINED. USING EXAMPLES FROM THE NOVEL, BLOSSOMS OF THE SAVANNAH, WRITE A COMPOSITION TO ILLUSTRATE THE TRUTH OF THE STATEMENT Culture defines our identity and social relationships within a certain setup. Sometimes, some cultural aspects come off as bad while others can be looked at as good. However, culture only becomes bad when compared to another that seems superior. Many African communities found themselves at crossroads when the ‘superior’ European culture was thrown down their gullets. Nevertheless, many African cultures have grown into what they are today while some have retained what can be perceived as negative cultural practices. In the book Blossoms of the Savannah, H.R Kulet presents a boiling pot of cultural confusion within the Maa community specifically the people of Nasila. As we can see, some of the Nasilian cultural practices can be beneficial to the wellbeing of society and, therefore, should be maintaine

NEGATIVE CULTURAL PRACTICES AMONG THE PEOPLE OF NASILA IN BLOSSOMS OF THE SAVANNAH

The book Blossoms of the Savannah explores both the positive and negative cultural practices. H. R Kulet describes intimately those cultural practices he believes are best and on the other hand, lets us in on some of the cultural practices he believe were injurious. Interestingly, the negative cultural practices are aimed at women. The most poignant cultural practice that negatively affects women is Female genital mutilation. Although according to Parmuat, the practice was started by women to resist the evil Ilarinkoi, it continued to cause wanton pain and torture on women. Taiyo and Resian are determined to fight it. Resian manages to evade the brutal practice however Taiyo barely makes it having been forcibly cut. FGM is a global menace affecting millions of women in Africa and Asia. Although its benefits are only anthropological, its effects are very damning and could lead to death.  Second among the negative Nasilian culture is early marriage. Resian still has goals to fu

THE THEME OF INHERITANCE IN THE PLAY INHERITANCE BY DAVID MULWA

Inheritance refers to what is left by the deceased to the family in material wealth or sometimes power. However, the word could have diverse meanings when applied to works of literature. In this respect, David Mulwa looks at inheritance in various ways. The play revolves around a three decades old Kutula under its new leadership. Having achieved independence from colonial masters, Kutula is now governed by Lacuna Kasoo-the son of pre-independence King Kutula XV. Lacuna ascended to power after the death of his father. Although the King has adopted Princess Sangoi as his successor, he dies mysteriously thus handing the power to the greedy, self-centred Lacuna. As it were, Lacuna conspired with the colonial masters to assassinate his father King Kutula XV. Having assumed power with the help of colonial masters, Lacuna runs the government under the influence of Kutula’s former imperialists. He receives hefty loans aimed at ‘developing’ the country. However, the loans are meant to make Kutu